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The Angel Cycle
(1985-) has its starting point at a medical photograph of a hermaphrodite
that we have associated to the concept of the Angel. Up to now it includes
more than twenty works: multimedia performances and installations, photo-sculptures,
sound pieces, radio broadcasts, an artist’s book, computer animations,
video tapes.
Requiem pour le XXe siècle
brings the "Angel" photograph in relation with archival footage from 2nd
World War. It is an anti-war manifesto, an elegy. As a body of difference,
a stranger, the "Angel" figure acquires an ambiguous status of observer,
witness, victim or judge.
This video crosses technologies: Super
8 and 16mm film, photography, computer graphics and video processing.
M.K. - K.T., 1994 |
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